GRAMMY-winning comedy duo Cheech & Chong will be the subject of the GRAMMY Museum’s exhibit titled Cheech & Chong: Still Rollin’—Celebrating 40 Years Of Up In Smoke, which is curated in collaboration with GRAMMY-winning producer Lou Adler, who uncovered the legendary duo, produced many of their albums, and directed the film.
On display through spring 2019, the exhibit explores what made the world fall in love with East L.A. native Richard “Cheech” Marin and Canadian Tommy Chong, while chronicling the development and success of their first feature-length film, Up In Smoke. Items on display will include the original marked-up script from Up In Smoke, the master tape for the soundtrack album, comedy sketches, and selections from Marin’s “Blazing Chicano Guitars” collection, among other items. The selections from Marin’s guiar-art collection include Chaz Bojorquez’ “Lester William Polsfuss”; Jaime “GERMS” Zacarias’ “Germtar” and John Valadez’ “Sombrero Hormigas.”
As the first strictly counterculture comics, Cheech & Chong helped change the dialogue, and ultimately attitudes, about marijuana use. As recording artists, they utilized the studio much like musicians do—a place to improvise and experiment as they turned their comedy routines into full-length albums. They released an eponymous LP in 1971 featuring studio sketches including “Waiting for Dave,” “Cruisin’ with Pedro,” and “Trippin’ in Court.” The album’s 1972 follow-up, Big Bambú, peaked at No. 2 on the Billboard 200 and earned a GRAMMY nomination for Best Comedy Album. The following year’s GRAMMY-winning Los Cochinos also charted at No. 2 and included the novelty hit “Basketball Jones.” These albums, and the ones that followed, served as a template for future comedy albums and stoner films.